Browsing the archives for the Fandom category.

[Warcraft] Fan art done better

Now, Blizzard has posted a new small collection of fanart up at their gallery. If you’ve been following my blog over the years, you’ll know the track record of fan art is almost as bad as the official art.

Bonze by Stan Huang

The above is, in my opinion, one of the better pieces. This is not to say that there are not problems with this selection, but the women featured look much more like adventurers than decoration. They look like they’re there to do a job, and are getting on with it regardless of their chances of success. I am kind of wincing at the mage who is about to get ganked in one of the pics.

I feel like this is a positive step forward, despite the midriff, the heels and the boobtacular moments marring a couple of these pieces. After all – there are women with large boobs (although as a big-boobed woman I probably wouldn’t chose to wear Priest T6 if it includes those golden ‘spirals’ on it.) Hopefully Blizzard will err on this side of the line when it comes to future picks, although I sincerely doubt it.

 

One piece of advice – I’d avoid the comments.

World of Warcraft Fanart Profiles: Troll women

This entry is part 4 of 4 in the series World of Warcraft Fanart Profiles

This is part of an ongoing series that reviews and attempts to deconstruct common tropes in the Blizzard Fanart Gallery. This is not a critique of the choices of individual artists, but a look at the choices Blizzard and those artists have made. For reasons of time/expendiency I am limiting this series to what is currently in the Blizzard Fan Art Gallery, but please feel free to share your favourites from the fan community in the comments. Just please try to make sure they are credited properly and on the theme of the post.

Girl Fight by Dane Miner

I was browsing the official galleries once again, due to noticing that after I posted the Sylvanas profile, they put up yet more Sylvanas art. Hmmph. I’ve got a poll up to help decide which ‘group’ to look at next, but currently draenei women are winning and I don’t have the energy it would take to collect and format all of those links. Draenei women are as numerous as elves and humans in the galleries, so it would be a very long list. I’m not sure I could take looking at all the playboy poses, to be honest. I might have to break it down into character archetype too, e.g. warrior draenei, caster draenei, and so on.

Now on to the trolls

I was intrigued by troll women. Troll women were, until the arrival of Blood Elves, the most ‘conventionally attractive’ race on the horde side. As I understand it, playing a troll woman was more likely to net sexual propositions for the player than any other horde race. Troll women are also comparatively lanky, tall, and have big hands and feet, that some might describe as a bit goofy. While they are more conventionally attractive than an undead, for example, the character model does not represent idealised bodies in the same way that elves or human character models do.

The fan art

There is cultural appropriation inherent in azeroth’s trolls (and other horde cultures).  While I normally don’t participate in discussions of race, in the case of horde women there is a very clear intersection between gender identity and race identity. Like the tauren, the culture of trolls is a disneyfied ‘tribal culture’ containing several different elements that generally lend themselves to words such as ‘earthy’ and ‘savage’ and ‘exotic’, and presented  as something ‘other’, in contrast to the ‘white’ culture of azerothian humans. At this point you might it useful to go back and listen to Slip of the Tongue again. The appropriation and representation of non-white cultures in fantasy gaming is a big elephant in the room, and it tends to get less air-time in the WoW-sphere, or is simply ignored because “it’s a fantasy game, gawd” and “my friend is Caribbean and she doesn’t mind.

I will say that since Cataclysm became the focus, work has been done on bringing the troll storyline more into the limelight, and I hope that the shaman-focused expansion will help expand on the complexity of horde lives in the same way that the expansion has illuminated dwarf culture and politics. As the game tends to focus on the human and orc aspects, I think there often isn’t room for the other races to be much more than one-dimensional bit-parts. To compound the issues created by the source of their culture, trolls have been something of a secondary race. Like the gnomes, they have existed in the shadow of their bulkier neighbours, the orcs, relegated to secondary plots.

In terms of the fan art in the official gallery, the lack of identifiable lore characters plays out in that nearly all the art is ‘character art’. That is fan art depicting a player character, rather than a recognisable archetype or major lore character as you might see for humans and elves.  As with tauren, there is very little art to chose from in the first place, so the ‘data’ is somewhat skewed, and the majority of ‘troll women’ are drawn in a particularly cutsy art style, much like the tauren women.

Troll Shaman Girl by Yang Yang

Troll Shaman Girl by Yang Yang

Sanitized

The troll culture is a pastiche. It is disney. The female characters even more so, the majority of them are rendered in a very friendly, cute and non-threatening manner. Indeed some pieces harken to the rumoured ‘elvish’ connection, rendering the women elf-like in presentation. Combined with the ‘savagery’ connected to night elf culture in particular, and I sometimes had a hard time figuring out if a character was a troll, an elf, or an orc. The peculiarities of troll hands and feet probably contribute to this, it’s easier to draw a generic female body and add a wild hairstyle and some tusks.

However it still comes down to the majority of the images sharing a lot of DNA with tauren and even gnomes – goofy, silly, approachable and almost childlike. Much of this is down to art style, and the difficulty of drawing this body-types, but the consistent nature of this presentation across the different races is rather compelling. A lot of other troll art often has a very sketchy style, lending an extremely sinister and powerful edge to troll men, such as this shadow priest troll by Se Hyung Lee. As much as I love Troll Nouveau it definitely harks back to the tolkienesque elves.

Passive

No getting away from this word in these profiles, I’m afraid. The female figure is often a static one, presented for the audience to look at, rather than interacting with the other characters or environment that they’ve been placed in. Even when the troll women are drawn in context, the focus is not on the action but upon her physique. In Fishing Competition by Jian Guo, we see a more visceral art style, but the female form is still passive, a calm back drop the the dynamic actions of the men in the foreground.

There are exceptions to this, of course, such as the boobalicious Girl Fight and The moment before bloodshed, both by Dane Miner. The art style reminds me of Josh Kirby who used to illustrate the covers for Terry Pratchett. The boobs are OTT, but I just love that the troll woman in bloodshed actually has large tusks. Most artists tend to use the minimal tusks, much easier to draw and less threatening. I like the way Rob Ten Pas has drawn the facial expressions in Cousin Mani, and while Ushtarak Berserker is passive it is one of my favourite pieces. She isn’t a pretty female body to look at, she’s a character caught in a moment.

Ushtarak Berserker – Rob Ten Pas 08/31/06

Ushtarak Berserker – Rob Ten Pas

Sexualised

Again, I’d like to reiterate that beauty and sex are not bad. Cleavage is not the end of the world. What these profiles are all about is the identification of themes. The sexualisation of a human male in the fan art gallery is the exception and not the norm, and male characters are rarely depicted with the idea that they have to be sexually attractive. The majority of female art in the fan art gallery is not there to portray a character, it’s there to show off the female form. Is fapping bad? Nah. Is it all there is to women? No. Pieces like Bun and Almost forgot it’s a troll are very obvious about what they’re supposed to be, but even when being actively savage, Cousin Mani and Girl fight both have a certain emphasis on physique.

One of the interesting things in CJ Ritter’s dissertation was a note that the troll jokes (in-game) play off the “lack of sexiness” of female trolls. This is not something that is followed through in fan art, even though artists have no problems with uglying up male characters. What I take away from this is a continuation of the difficulties of femininity and ‘beauty’. The beauty of troll women is only shown in art when they’re bodies are smoothed out and ‘humanised’. Troll women are only depicted at all if they are then made to fit traditional western definitions of feminine beauty, even as they are wrapped in the trappings of fetishised non-white cultures. Doubly objectified, as their ‘otherness’ is still a part of their attraction.

Addendum

Now, I’m not saying those troll women are omg oppressed. The characters in-game are just pixels after all. However they are a symptom of widespread problems in the videogame industry, where a woman can be an object just for being female, and yet again have her racial/cultural/ethnic identity turned into an object for western gratification. There’s nothing easy about this situation, but if you’ve never thought about it before, it’s worth thinking about it now. Certainly a lot of my ‘white’ heritage is in the game, pastiched through Stormwind and Loredareon, but the key point here is that it isn’t presented as ‘other’ in the way that the Uldum Pygmies are, or the cannibalistic trolls are.

I don’t think I touched on native american culture at all in the tauren profile. In hindsight that was wrong of me. It’s also worth noting that just about every culture in WoW is a counter-part culture, but I don’t think that excuses the cultural imperialism of the gaming industry in the long run. The appropriation of these cultures similtaneously gives us the only non-white cultures in the game, an act of inclusion, and at the same time it erases non-white cultures, by making them exclusively non-human. The tension is somewhat similar to having to be happy that there are women lead characters in video games, even if they end up like Lara Croft.

Warcraft is certainly not the only media to present a pastishe of Caribbean, Indian, Mesoamerican and African culture, and criticising race in World of Warcraft tends to be a difficult enterprise for allies who don’t wish to make the mistake of white-knighting. If you want to read more about the erasure and representation of race in WoW, then CJ Ritter’s dissertation is a great place to start, as are the comments on his Topography section. There is a lot of work to do, but over the last three years a lot has been done to shift the horde from ‘ugly and evil’ to ‘brutal but complex and different’.

Disclaimer: I am white, and I have tried very hard not to fuck up this discussion because I think it is something that needs to be talked about, however if I have fucked up, please let me know via email. The cultures I talk about are certainly not my cultures, and I don’t have the right to tell anyone to feel guilty or stop enjoying the troll race.

Secondly the proper term for ‘trolls’ is ‘species’, not ‘race’, which in hindsight I should have known/realised, and would have made this post easier to write! Last of all, this isn’t some sort of ‘Blizz sucks’, and I’m not going to stop playing WoW any time soon, I find a lot of enjoyment in the game.


World of Warcraft Fanart Profiles: Sylvanas Windrunner

This entry is part 3 of 4 in the series World of Warcraft Fanart Profiles

This is part of an ongoing series that reviews and attempts to deconstruct common tropes in the Blizzard Fanart Gallery. This is not a critique of the choices of individual artists, but a look at the choices Blizzard and those artists have made. For reasons of time/expendiency I am limiting this series to what is currently in the Blizzard Fan Art Gallery, but please feel free to share your favourites from elsewhere in the comments. Just please try to make sure they are credited properly and on the theme of the post.

Cataclysm by chang yawei 14/10/09

Sylvanas runs. In the background there is a red sky, and she looks at the crow landing on her right hand.

Sylvanas is an amazing character. She is both a protagonist for the Undead, and sly antagonist for the living. In Cataclysm she will make some unpopular decisions, and she is one of the few major lore characters to undergo multiple redesigns in World of Warcraft (as well as between games.) She is a heroine and villainess, depending on your faction, and is characterised as a military genius, in contrast to Tyrande’s spiritual (and practical) leadership, and Jaina’s arcane power. She was both the first of the Banshees, and the originator of the Dark Rangers, a class that meshes necromatic and hunter powers.

There are a lot of ‘night elf hunters‘ that share some of her costuming as well, but I am trying to be somewhat selective as Sylvanas wasn’t a Kaldorei. Also there is some amazing Sylvanas art out there that isn’t in the US Gallery, as ever PLEASE share those links in the comments.

The Fanart

Barely Rotting

The Banshee Queen by Ann Siri Skrolsvik 04/12/08

Sylvanas holds the necklace in her right hand.

Now, the artists get a bit of a pass on this, as Sylvanas isn’t an ordinary undead. When she was initially ‘raised’ she was a non-corporeal Banshee. Plus, Blizzard themselves have depicted her in-game as a rather smooth and sinuous elf, so I can’t blame the artists for continuing that theme. It does annoy me somewhat, as Sylvanas was brutally murdered and tortured even before her soul was subjugated. There are a few pieces that pick up on her status as a former corpse – Sylvanas Sings (Carlos) and Champion of the Undercity (Forlenza), but many many more that focus on her smooth skin and her strangely perky boobs. I wasn’t aware that being interred in a tomb maintained the integrity of the water within one’s boobs. Or resulted in one walking around with a vacant (dead, hah) stare and lips slightly parted all the time. Silly me.

Passive

Sylvanas is surrounded by a chorus of 4 Banshee.

Sylvanas is mainly presented as a figure to be looked at, rather than a character actively emoting or acting. In some ways this makes the Eduardo Caria Mosena piece all the more stunning. She is wearing the modern Sylvanas costume, and while the womanly curves are ‘there’, they aren’t the focus of this action shot. For all that her face is impassive, my eye is drawn to it by the actions of the rest of her body. Stunning piece of work. However most of the Sylvanas art has her passively standing and staring at the audience, or sticking her bum and boobs out. For example, Dark Lady has her supposedly marching at the head of an army, but her clothing is skimpier than usual and the pose she is in emphasises her hips. In Battle for the Undercity, her whole spose is just plain weird.

Many poses seem to centre around one urm being held up, either to present the iconic necklace, or just…erm…just because.

I will note, however, that ‘passive poses’ are a mainstay of Fanart in general, perhaps because static bodies are easier to draw well than active ones. There are a great many passive male characters as well, but the proportions of passive/active are less telling than that of the women.

The Makeover

As you can see, the amount of Sylvanas art increased exponentially after she was madeover in game, with both a more curvacious body, and a more revealing outfit. Previously she had been depicted in the full coverage of a black robe. Unsurprisingly, artists like to draw pretty things, and they also like to have a firm idea of what Blizzard wants the character to look like. (Although oddly enough there is more Abomination art than there is art of Jaina Proudmoore.) The change in the makeover also changes the colour scheme of Sylvanas art, from blues and blacks to reds, purples and even pinks.

Popularity

‘Character’ art is less popular in the Fanart Gallery in general, and an observation I had was that generally Arthas, Illidan and Kael’thas lead the way in general character art, with Sylvanas the only woman receiving a significant number of  published submissions. I’ve even found some art that may be of her before she was killed (showing the ranger gear and the crow). The makeover cannot be the only factor in this significant difference – Sylvanas is the only prominent woman leadership with no real male ‘rival. Tyrande is opposite Fandrel and Malfurion, and Jaina Proudmoore is overshadowed somewhat by Varian. Sylvanas is also the only significant woman in the Horde leadership at this time, and her character is now divorced from ideas of sex and romantic relationships. Where Jaina and Tyrande are associated romantically with a number of men (both in lore and in fandom), Sylvanas is pretty much ‘free’ from all that by virtue of being dead AND a military genius.

Below is a sketch by Metzen, which is very telling when you consider the evolution of Sylvanas’ appearance in the game. Below we see her with a Kaldorei facial tattoo, even though I believe she was highborn. Her face shows marks of obvious repairs in the original conception of her character. In the name of expediency they use an un-scarred model for her now, which they are able to ‘port’ to other major female lore characters that they can get away with showing in a bikini. She goes from physically damaged to physically on show.

Sylvanas by Metzen

Sylvanas looks at the viewer. Her face is covered in stitches where her corpse was repaired.

Conclusion

She’s a warrior, a leader, and above all she is World of Warcraft’s survivor. I won’t reveal any Cataclysm stuff, but her story continues in that theme. I don’t see much of the power of her character or her past in much of the fan art, which is what makes Sylvanas Sings and and the Mosena piece so damn powerful. If you want to do something different with her, show her as a leader, as woman of violence and drive. Show her in action, either with her magic or her abilities as a Dark Ranger.